Monday 9 February 2009

À rebours by J.K. Huysmans


À rebours (translated into English as "Against the Grain" or "Against Nature") (1884) is a novel written by the French novelist Joris-Karl Huysmans.



It is a novel in which very little happens; its narrative concentrates almost entirely on its principal character, and is mostly a catalogue of the tastes and inner life of Jean Des Esseintes, an eccentric, reclusive aesthete and antihero, who loathes 19th century bourgeois society and tries to retreat into an ideal artistic world of his own creation.


À rebours contained many themes which became associated with the Symbolist aesthetic. In doing so, it broke from naturalism and became the ultimate example of "decadent" literature.
Plot Summary
Jean Des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris which has left him disgusted with human society. Without telling anyone, he absconds to a house in the countryside and decides to spend the rest of his life in intellectual and aesthetic contemplation.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Amongst French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbière and Stéphane Mallarmé as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly.
He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth and he clearly expressed it in his philosophy.
He studies Moreau's paintings, he tries his hand at inventing perfumes, he creates a garden of poisonous flowers. In one of the book's most surreal episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In one of the book's more comic episodes, he spontaneously decides to visit London. When he reaches the train station, he overhears some English visitors, whom he finds disgusting. Feeling that he now knows what London would be like, he immediately returns home.

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